Many early maps were decorated because the map-makers
or cartographers had little real idea of geography and presented the world in
symbolical terms. One map of Roman times showed the world as a T within an 0.
The 0 represented the ocean boundaries of the earth and the T the known world,
with the Mediterranean as the upright and the horizontal bar as the meridian
from the Nile to the River Don. Jerusalem was at the centre and elaborate
decorations often included Paradise and the Last Judgment.
As the shapes of more coastlines were discovered, the unexplored land
masses behind them were often filled in by map-makers with decorative
portrayals of imagined animals and vegetation. The seas contained monsters and
pictures of ships.
Even when maps became more accurate, decorations
survived because cartographers saw their craft as a mixture of science and
art.
Some maps were specially commissioned to be given as
gifts to noble patrons or sovereigns. Unlike ordinary maps for use at sea,
these special productions were magnificently decorated, with the seas and
lands full of fabulous animals and the winds portrayed as human. The houses and
ships shown were usually accurate pictures of those in use at the time the maps
were made.
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